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| "You like Hondas? We never have any problems with Hondas, no leaks or anything like that. Hondas are great." |
I've been watching the Fast & the Furious series with a buddy this week, because honestly, i've never seen any of them before. I'm not really a car guy, see. But when given the chance to fill this hole in my pop culture knowledge, i jumped. Nothing like some good dumb fun after
Computer Chess and
Upstream Color, right?
Right.
My ultimate verdict -- these movies are completely awesome dumb fun in a way that Bayformers and other trash movies could not ever hope to be. If you don't like Vin Diesel or the Rock, then i do not care to know you. The strange thing about watching all of them at once is how the action in each movie is magnified until it reaches the elephantiasis proportions found in part 6. Remember how the first one all came down to Paul Walker's one daring 3-foot leap from a car onto a semi? Doesn't that seem so quaint now that they're leaping from planes and being launched from tanks to make miracle saves on bridges?
It does.
Out of all the movies, i think i enjoyed the third one a little more than i should have. I mean, it's in Japan, and nerds like Japan, and i'm a nerd.
Fast and the Furious 3: Tokyo Drift. The bastard chapter of a
once-floundering franchise that contain no Paul Walker and only a small cameo
by Vin Diesel at the end. I'd seen parts of this movie on TV, but
seeing it all at once is hilarious.
In case you don't know, it's about a rowdy redneck kid who is
sent to live with his father and go to school in Tokyo because he raises
entirely too much hell in the USA. It's funny how on his first day of
school in Tokyo, stock characters just approach him for no reason. He
just ambles about the yard after classes, and this happens...
"Yo, fool! I'm yo' fast-talking little hustler sidekick! What it be, holmes? We friends now. Best friends!"
"Hi,
i'm a cool older mentor figure. Here, borrow my car and race it. Why
not, right? I have tons of money, and can give you access to things and
places you would not normally have. Want to come to the cool
underground racing world full of cars, babes, and villains?"
"Hi, i'm an unreasonably attractive babe. I like
you for no reason, but... [bites lip seductively] that villainous thug
over there has dibs on me... oh, if only..."
"I'm a
villainous thug! I will humiliate you in front of everyone, and when
you fight back... arrgh, there's just something about you, i know
already that all my energies must be focused on destroying you. I
just... hate... you."
The funniest part is near the end. Keep in mind, the
protagonist is supposed to be a high school kid. He's a kid. And then
this occurs...
"Dad... i've run afoul of the Yakuza on my
first week of school. They are going to kill me because i keep standing
up to them and talking to this hot girl."
"That's it, you're going back to America, son!"
"No, dad! I'm a man. I have to handle this myself. I must face the Yakuza. Alone."
"You're right, son. I'm so proud of you."
And then his dad lets him go. No calling the police. No
calling his mother. Nothing. Because being a man is the burden of
being a man. Sometimes your teenage son gets into blood feuds with the Japanese Mafia, and you have to let him sort it out for himself. Don't want to be a coddler.